BLOK MAGAZINE

19.03.2025

Critique 19.02.2024

BLOK Editorial Team Resignation

Interview Germany Poland 07.02.2024

Tracing and Reworking the Erased Past

Andrea Pichl in conversation with Joanna Sokołowska

Interview Poland 07.02.2024

Everyone and Everything Deserves Respect, Some Form of Understanding, to Be Given a Chance

Jacek Zachodny in conversation with Joanna Sokołowska

Interview Poland 05.02.2024

I Don’t Think I Made a Decision to Paint or Draw, I Just Never Stopped

Daniel Mikulski in conversation with Joanna Sokołowska

Eyewitness Slovakia 24.06.2021

‘To please, to curse, to foretell: A fire crawling out from the windows of a tower’ at APART

Critique Fotoblok Ukraine 22.06.2021

Imaginary Victims, Imaginary Perpetrators: Working with Historical Trauma as a Way to Resist the Official Narrative

Lia Dostlieva, Andrii Dostliev

Eyewitness Austria 18.06.2021

STRABAG Artaward International 2021

Critique Poland 17.06.2021

‘People, Identities, (Re)Slurs’: Biblioteka Azyl and ‘Dictionary of the Queer International’ in Profile

Kathryn Zazenski

Eyewitness Czechia 16.06.2021

[EN/CZ] ‘Sweet Dance of Doom’ by Maciej Nowacki at Studio PRÁM

Eyewitness Interview Switzerland 11.06.2021

[EN/DE] ‘Emma Kunz Cosmos’ at Aargauer Kunsthaus / Dora Budor in Conversation

Adam Mazur: W swoich ostatnich projektach kuratorskich dotykasz problemów związanych z feminizmem, skąd to się wzięło? Monika Fabijańska: Zajmuję się sztuką feministyczną odkąd pamiętam, jest to główny temat moich...

Interview Poland USA 09.06.2021

[PL] Interwencyjna historia sztuki. Rozmowa z Moniką Fabijańską

Adam Mazur

Adam Mazur: In your recent curatorial projects you touch upon issues related to feminism, how did this interest originate? Monika Fabijanska: I have been working on feminist art ever since I can remember; it has been the main topic of my...

Interview Poland USA 08.06.2021

Emergency Art History. Monika Fabijanska in Conversation

Adam Mazur

Interview Georgia 03.06.2021

Q&A: PATARA [Tbilisi]

Kathryn Zazenski

BLOK Editorial Team Resignation

Tracing and Reworking the Erased Past

Everyone and Everything Deserves Respect, Some Form of Understanding, to Be Given a Chance

I Don’t Think I Made a Decision to Paint or Draw, I Just Never Stopped

‘To please, to curse, to foretell: A fire crawling out from the windows of a tower’ at APART

Imaginary Victims, Imaginary Perpetrators: Working with Historical Trauma as a Way to Resist the Official Narrative

STRABAG Artaward International 2021

‘People, Identities, (Re)Slurs’: Biblioteka Azyl and ‘Dictionary of the Queer International’ in Profile

[EN/CZ] ‘Sweet Dance of Doom’ by Maciej Nowacki at Studio PRÁM

[EN/DE] ‘Emma Kunz Cosmos’ at Aargauer Kunsthaus / Dora Budor in Conversation

[PL] Interwencyjna historia sztuki. Rozmowa z Moniką Fabijańską

Emergency Art History. Monika Fabijanska in Conversation

Q&A: PATARA [Tbilisi]

Archive

[PL] Kiedy obrazy patrzyły na robotników