REKLAMA
BLOK
10
2022
Critique Eyewitness Poland 22.10.2022

‘This Blood Is for You’ by Franciszek Orłowski & MOCAK

Betina Fekser
09
2022
Critique Czechia 22.09.2022

Undreaming a Wound: Grounding, Waking and Spelling with Matter of Art Prague Biennale.

Hubert Gromny
08
2022
Critique Poland 25.08.2022

Sisyphus pushing stones around Silicon Valley: Review of the Biennale Warszawa 2022

Anna Fech
Critique Germany 25.08.2022

The Worlds We Hallucinate Together, Thoughts on Berlin Biennale.

Zofia nierodzińska
07
2022
Critique Belarus Poland 21.07.2022

A Puzzle That Cannot be Folded: When The Sun is Low, The Shadows Are Long at Galeria Arsenał

Vera Zalutskaya
Critique Ukraine 21.07.2022

Stas Turina in Profile

Lisa Korneichuk
Critique Poland 21.07.2022

Before and after the rainbow — Notes on Kristaps Ancāns’s digital sculpture, Polar Rainbow, in Warsaw

Romuald Demidenko
Critique Germany 21.07.2022

Why the Insurrection, Medea?

Susanne Altmann
05
2022
Critique Ukraine 23.05.2022

The Documentary Turn in New Ukrainian Art [excerpts]

Svitlana Biedarieva
Critique Austria 23.05.2022

Why remember the bad? Anastasiya Yarovenko at hoast

Anastasiya Yarovenko