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The Most Memorable Year: Highlights of 2020

Corina Apostol, Kateryna Botanova & Jurriaan Cooiman, Romuald Demidenko, Maja and Reuben Fowkes, Vanessa Gravenor, Indrek Grigor, Santa Hirsch, Anna Karpenko, Valentinas Klimašauskas, Anna Łazar, Gergely Nagy, Michal Novotný, Marina Oprea, Julius Pristauz, Oleksiy Radynski, Anna Remešová, Ivana Rumanova, Sylwia Serafinowicz, Piotr Sikora, Antonina Stebur, Krisztián Gábor Török, Anastasia Vepreva, Joanna Warsza, Mike Watson

From Prague to Budapest, Riga, Kyiv, Warsaw, Prague and Minsk – our contributors and editors sum up the ups and downs of art in 2019.

Critique Austria Belarus Berlin Bulgaria Czechia Germany Hungary Poland Ukraine 20.01.2020

The Best and Worst of Art in Central Europe in 2019

Karina Kottová and Piotr Sikora (Czech Republic), Anna Karpenko (Belarus), Marina Oprea (Romania), Adomas Narkevičius (Lithuania),Santa Hirsch (Latvia),Miroslava Urbanova (Slovakia),Gergely Nagy (Hungary), Indrek Grigor (Latvia), Oleksiy Radynski (Ukraine), Anna Remešová (Czech Republic), Anna Łazar (Poland), Vanessa Gravenor (Germany), Karolina Plinta, Piotr Policht, Adam Mazur (Poland)

[EN/DE] ‘The Sound of the Tuba’ by Edi Hila at Secession

The Most Memorable Year: Highlights of 2020

‘[EN/DE] The Long Stretch’ by Alona Rodeh at Christine König Galerie

[EN/DE] ‘WiR | WE’ at Christine König Galerie

[EN/DE] ‘PIERRE KLOSSOWSKI + RADE PETRASEVIC | Eros + Beelzebub’ at Christine König Galerie

Krzysztof Pijarski, ‘Lives of the Unholy’ (2013)

[EN/DE] ‘The Relation to Time in Liquid Life’ by Cécile Wesolowski at KOENIG2 by_robbygreif

‘Kvartirnik’ at 10xx Vienna

‘… of bread, wine, cars, security and peace’ at Kunsthalle Wien

The Best and Worst of Art in Central Europe in 2019