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From Prague to Budapest, Riga, Kyiv, Warsaw, Prague and Minsk – our contributors and editors sum up the ups and downs of art in 2019.

Critique Austria Belarus Berlin Bulgaria Czechia Germany Hungary Poland Ukraine 20.01.2020

The Best and Worst of Art in Central Europe in 2019

Karina Kottová and Piotr Sikora (Czech Republic), Anna Karpenko (Belarus), Marina Oprea (Romania), Adomas Narkevičius (Lithuania),Santa Hirsch (Latvia),Miroslava Urbanova (Slovakia),Gergely Nagy (Hungary), Indrek Grigor (Latvia), Oleksiy Radynski (Ukraine), Anna Remešová (Czech Republic), Anna Łazar (Poland), Vanessa Gravenor (Germany), Karolina Plinta, Piotr Policht, Adam Mazur (Poland)

[EN/DE] ‘Émissions nocturnes’ by Aude Pariset at LVX. Pavilion of the Volksbühne

[DE] Sprachrauschen: Gedanken zu zwei Arbeiten Franz Wanners

The Rustle of Speech: Thoughts on Two Works by Franz Wanner

Heroism in Limbo: A Conversation with Nikolay Karabinovych

‘Art Should Emerge out of Necessity!’ Nicolaus Schafhausen in Conversation

The Best and Worst of Art in Central Europe in 2019

‘Zofia Kulik & KwieKulik. Quotes from the Archive’ at ŻAK | BRANICKA

‘L’amour’ at BDSM Lounge Berlin

Dirty Universalism. ‘Perverse Decolonization’: Janek Simon and Saddie Choua

The Best and Worst of Art in Central Europe in 2018